16 channel Digital Mixer with Active Integration

Digital mixing: the next generation

With a powerful user interface, unrivaled sound quality, amazing DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, onboard FireWire s800 interface, and tightly integrated software suite for Mac®, Windows®, and iOS®, StudioLive™ AI-series digital mixers create a streamlined working environment for both live and studio use.

Redesigned from the ground up, these state-of-the-art mixers provide analog workflow with extensive dual signal processing on every channel and bus and actively integrated software that solves real-world problems and lets you record and distribute what you mix. Configurable networking and communications option cards ensure your investment won’t be outdated as new technologies emerge.

In short, StudioLive AI-series mixers deliver the very best in digital mixing and recording technology and make it all incredibly intuitive and easy to learn and use.

The future is Active Integration™

StudioLive AI-series mixers start with all the strengths that made the first generation of StudioLive mixers famous: powerful, surface-driven interface; loads of DSP processing and analog I/O; and layerless mixing, thanks to dedicated mix buses. Then they push the technology to the next level. So while the three StudioLive AI-series mixers — the StudioLive 32.4.2AI, 24.4.2AI, and 16.4.2AI —look and feel much like their non-AI counterparts, they have been reengineered from the ground up with far more capabilities and computing power.

The difference is Active Integration™ (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.

↓ Read more about Active Integration

Actively integrated software.

PreSonus StudioLive AI-series mixers are tightly integrated with an entire suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other digital mixer anywhere near this price class comes close with respect to software integration and features. In fact, most digital mixers in much higher price classes don’t come close.

↓ Read more about the StudioLive AI Software Library.

Wi-Fi and wired networking.

PreSonus StudioLive™ AI-series digital mixers’ Active Integration™ technology includes powerful real-time, direct, wired and Wi-Fi remote control over a variety of features, using free Mac®, Windows®, and iOS® software. And unlike previous StudioLive mixers, you don’t need to have a Mac or PC attached to have wireless control!

↓ It’s easy to create a StudioLive AI-series wireless network! Read more.

Like all StudioLive mixers, every AI-series mixer integrates a multi-channel recording interface. Unlike previous StudioLive mixers, however, AI-series mixers are equipped with a continuously bidirectional FireWire s800 audio interface that is located on an option card, so you can swap it out and use the latest cutting-edge technologies, such as Thunderbolt, Dante, and AVB.

↓ Read more about the networking and recording connections and options.

Safe, sane, and secure.

Powerful networking and wireless remote control is great—but what if someone tries to hack into your Wi-Fi system and take control of the show or some clown attempts to play FOH engineer when you step away from the mixing station? You can put the kibosh on that, thanks to the StudioLive AI mixer’s security features!

↓ Read more about StudioLive AI mixer permissions and lockout.

A gigantic console in a small package.

If a StudioLive AI mixer were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors!

That's because each channel and bus has its own studio-grade compressor, limiter, gate/expander, and 4-band parametric equalizer. Each input channel, aux and FX bus also has a highpass filter, and input channels have polarity invert.

It all fits into one remarkable processing and routing section known as the Fat Channel.

Unlike most competing digital mixers, there are no limitations or compromises, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times.

Because StudioLive AI mixers have so much more processing power and blazing-fast RAM than previous StudioLive models, you can create two complete sets of EQ and dynamics-processor settings for every channel and bus and then make quick A/B comparisons at the touch of the Alt EQ & Dyn button. Does your guitar player use a Strat for some songs and Les Paul for others? Don’t use up two channels, create two completely different Fat Channel settings for each guitar and access them with the press of a button before he’s got the next guitar strap on.

It’s like having two complete channel strips on every input and output—but simpler and more efficient!

↓ Read more about the StudioLive AI-series Fat Channel processing.

Effects you'd expect from a $600 stand-alone processor. Or two.

You get four programmable, 32-bit, stereo DSP effects engines—two of them loaded with reverbs and two armed with delay effects that you can really use. Each stereo processor has its own dedicated internal FX bus, and you can use all four all of the time without compromising other resources.

The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. And all 50 preset effects have easy-to-use parameter adjustments, tap tempo, store, recall, and Scene selection for ultimate creative flexibility.

↓ The StudioLive AI-series mixers’ 50 practical 32-bit digital effects.

Plentiful graphic EQ.

With StudioLive AI-series mixers, you get graphic EQ on every aux bus and on the mains—all at the same time, without compromising other resources. In addition, each graphic EQ has an A/B option, so you can, for example, boost the bass for a rock band and then switch over to a “smiley face” for intermission program music.

Connect to VSL-AI over a FireWire connection, and you can use the Smaart Spectra™ Spectrograph and RTA and StudioLive EQs to quickly kill feedback building up in floor wedges before the musicians even notice it!

A wealth of dedicated analog I/O.

View the rear of a StudioLive AI-series mixer, and you’ll see a familiar jackfield, with individual XLR mic and ¼” line inputs and TRS insert points on every channel, along with a wealth of other dedicated inputs and outputs. Every input channel and bus send has its own dedicated jack—no sharing, no compromises.

↓ Read more about StudioLive AI-series mixers’ connectivity.

 

Inside, it's pure PreSonus.

Getting a great-sounding mix depends partly on your skill (assisted by StudioLive’s ease of use, features, and integrated software) and partly how good the mixer’s microphone preamps and converters are, how clean the signal path is, and how well the algorithms perform.

That's why you should choose a digital mixer made by PreSonus, a company already famous for its analog mic preamps, pristine digital interfaces, and well-regarded signal processors. And because StudioLive AI mixers were redesigned from the ground up, they sound even better than their predecessors.

The StudioLive’s XMAX™ Class A preamplifiers deliver more headroom, deeper lows, smoother highs, and a richer overall sound than the preamps found in competing mixers. High-headroom, 32-bit floating-point processing is used for all digital mixing. The high-end Burr-Brown digital converters on every input and output are state-of-the art, with 118 dB dynamic range.

↓ Read more about XMAX preamps.

The StudioLive AI mixer’s synchronization to your computer is stable and robust, thanks to JetPLL™ synchronization technology, resulting in great stereo separation and clear, transparent audio.

↓ Read more about JetPLL.

The ease of analog meets the power of digital.

Among the employees of PreSonus, there are more band members than you can shake a mic stand at. All of us have lived with conventional mixers for years. And many of us have struggled with the less-than-intuitive interfaces of earlier digital mixers, with their bank switching, layers, nested menus, etc. Many of today’s digital mixers have the same problems.

When you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. So when we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible —not buried inside multiple menus. And the few times you do need to access a menu, StudioLive AI-series mixers quickly get you to the page you need.

↓ Read more about StudioLive AI mixers’ ease of use.

 

To ensure you can hear just what you need to hear instantly, with minimal fuss, we paid close attention to solos and mutes. These features have been considerably enhanced in StudioLive AI-series mixers.

↓ Read more about the enhanced Solo features.

 

All StudioLive AI mixers offer backlit Mute buttons for each channel and aux. The StudioLive 32.4.2AI adds a feature that makes the mutes even more useful: six mute groups with All On and All Off buttons. But we didn’t leave StudioLive 24.4.2AI and 16.4.2AI users out in the cold: VSL-AI provides mute groups even when the mixing surface doesn’t!

↓ Read more about mute groups

Complete store and recall—instantly.

Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. This adds up to a lot of settings to remember and reset at every performance.

That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Unlike some digital mixers, StudioLive makes it very quick and easy.

↓ Read more about saving and recalling scenes and settings.

 

The StudioLive 32.4.2AI makes saving and recalling scenes even faster and more convenient with six user-assignable Quick Scene buttons. We added Quick Scenes to VSL-AI for StudioLive 24.4.2AI and 16.4.2AI users too; with Active Integration, StudioLive AI-series mixers aren’t limited to how many buttons will fit on the control surface.

↓ Read more about Quick Scenes.

 

To further ease and speed your workflow, we’ve included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. New in StudioLive AI-series mixers, these presets, as well as your custom settings, can be organized and browsed by category so you can quickly find your favorite vocal preset without scrolling through horn and guitar presets. An Automatic AutoStore feature regularly saves your current settings in case the power fails.

↓ Sample list of channel presets.

 

Which StudioLive is best for you?

Why choose the StudioLive 32.4.2AI rather than the StudioLive 24.4.2AI, StudioLive 16.4.2AI, or StudioLive 16.0.2?

The StudioLive 32.4.2AI is the new top-of-the-line, and in most respects, it is very similar to the StudioLive 24.4.2AI and 16.4.2AI. The most obvious differences are that the 32.4.2AI has more channels and aux buses than the other two AI-series models. It’s also the only StudioLive mixer with Quick Scenes and mute groups available from the mixing surface. (The StudioLive 24.4.2AI and 16.4.2AI have these features in VSL-AI.) There are a few other differences, as well.

↓ Read more about the differences between StudioLive AI-series mixers.

 

If your needs and budget are more modest, consider the StudioLive 16.0.2 rather than a StudioLive AI-series mixer. The 16.0.2 doesn’t have the power of Active Integration but it’s inexpensive, compact, lightweight, and ultra-portable. Furthermore, it has a cool feature that no other StudioLive mixer offers: MIDI.

↓ Read more about the differences between StudioLive AI mixers and the StudioLive 16.0.2.

You've read the book. Now see the movies.

We've provided plenty of written material about StudioLive. In addition, you can go to the Media tab at the upper section of this page and watch a whole series of instructional videos showing StudioLive mixers in church, club, and studio applications. Video blogs go into detail about various powerful StudioLive features. And we regularly add new videos.

Specifications

Computer system requirements:

Below are the minimum computer-system requirements for Virtual StudioLive-AI.

Mac

  • Mac® OS X 10.7.5 or later
  • Intel® Core™ Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
  • 4 GB RAM (more recommended)

Windows

  • Windows® 7 x64/x86 SP1, Windows 8 x64/x86
  • Intel Core Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
  • 4 GB RAM (more recommended)

Mac and Windows Systems

  • FireWire S800 (IEEE 1394b) port
  • Ehternet port recommended
  • Internet connection recommended
  • DVD-ROM drive
  • Internal or external 7200 RPM storage drive highly recommended
  • Monitor with 1024x768 resolution

 

The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Mac should be no lower than 1024x768 pixels.


StudioLive™ 32.4.2AI / 24.4.2AI / 16.4.2AI

Microphone Preamps (XLR Balanced)

Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output < 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output 105 dB
S/N Ratio to Main Output 94 dB
Common Mode Rejection Ratio 65 dB
Gain Control Range -15 dB to +65 dB (± 1 dB)
Maximum Input Level (unity gain) +22 dBu
Phantom Power +48 VDC

Line Inputs

Type ¼" TRS Female, balanced mono
Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output <0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output 105 dB
S/N Ratio to Main Output 94 dB
Gain Control Range (±1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu

Tape Inputs

Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +22 dBu

Auxiliary Inputs

Type ¼" TRS Female, balanced (2 stereo pairs)
Maximum Input Level +22 dBu

Main Outputs

Type Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced  (mono)
Rated Output Level +24 dBu
Output Impedance 100Ω

Aux Outputs

Type ¼" TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω

Subgroup Outputs

Type ¼" TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω

Tape Outputs

Type RCA Female, unbalanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω

Control Room Outputs

Type ¼" TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 100Ω

System Crosstalk

Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu
 

Noise Gate / Expander

Threshold Range -84 dB to 0 dB
Attack Time 0.02s to 500 ms / 0.5 ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1
Gate Attenuation Range -84 dB to 0 dB / ∞
Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz

Limiter

Threshold -56 dB to 0 dB / -28 dBFS
Ratio ∞:1
Attack 20 ms
Hold 10 ms
Release 20 ms

Compressor

Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee
 

Parametric EQ

Type 2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
Low Mid 90 Hz to 1.2 kHz, ±15 dB
High Mid 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
 
Q 0.1 to 4 / 16.4.2AI*: Low Q= 0.55, Hi Q=2.0

Graphic EQ

31-Band 1/3rd Octave Controls Curve-fitting algorithm
Gain/Attenuation ±15 dB
   

Digital Audio

ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
FireWire s800, 800 Mb/s
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS +18 dBu

Clock

Jitter <20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

Power/Environmental

Connector IEC
Input-Voltage Range 100 to 230V, 50-60 Hz
Power Requirements 200W
Temperature Range 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit
 

Physical (32.4.2AI / 24.42AI /16.4.2AI)

Length 21.31" (54.13 cm) / 21.31" (54.13 cm) / 22.35" (58.6 cm)
Width (chassis only) 31.58" (80.21 cm) / 25.19" (63.98 cm) / 17.22" (43.74 cm)
Maximum Height 7.02" (17.82 cm) / 7.02" (17.82 cm) / 6.9" (17.53 cm)
Weight 50 lbs. (22.68 kg) / 30 lbs. (13.6 kg) / 23 lbs. (10.43 kg)

*Fully variable through VSL-AI and SL Remote-AI. 
 

Please see complete mechanical drawings when building a custom rack, desk, or case.

As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.

Downloads
Presonus StudioLive Series_Owners Manual_EN-V2
Presonus_StudioLive_Series_OwnersManual_EN-V2.pdf (2013/10/28)